Relevance and Success of PUSH in MEXICO

On the 9th of March, a country-wide theatrical release of PUSH took place all over Mexico!

Full cinema halls in Mexico City, Guadalajara, Tijuana, Cuernavaca, and elsewhere in Mexico were followed by enlightening conversations and Q&A sessions after the screenings.

During weeks of screening, the cinemas and audience have been wonderfully welcoming to PUSH and its Director Fredrik Gertten. And although he is back in Malmö now, the film and its ideas continue an exciting journey through cinema screens, media channels, and on PUSHBACK Talks.

Below, we prepared a brief summary of the journey PUSH has had in Mexico, together with some captured moments from it.

Already three years after initial premiere of PUSH, the success and attention that PUSH has received in Mexico could not be predicted. In the light of a rapidly changing housing situation around the country, film has proved to be very relevant and interesting to the Mexican audience. With the Film Director Fredrik Gertten being present at most of the screenings, interesting discussions, meetings and Q&A sessions took place.

Right before the premiere in Mexico, Fredrik Gertten and Leilani Farha discussed the housing crisis in Mexico with 4 activists and experts in housing!

During his time in Mexico, film director Fredrik Gertten was invited to take part in the Debate programme on CANAL 22. Watch the full recording here!

Co-creators of PUSH and PUSHBACK Talks, Leilani Farha and Fredrik Gertten have weighed in on the housing crisis in Mexico in their latest opinion piece published on the Washington Post.

Read Fredrik and Lelani's Op-Ed "Gentrification isn't behind Mexico's housing crisis. Financialization is." here. You will find an English version here.

All episodes of PUSHBACK Talks can also be found on your favorite podcast apps and streaming services such as iTunes, Google Podcasts, or Spotify.

Gentrification isn't Behind Mexico's Housing Crisis. Financialisation Is | Op-Ed on The Washington Post

In connection to the theatrical release of PUSH in Mexico, co-creators of the film and PUSHBACKTalks, Fredrik Gertten and Leilani Farha, wrote an Opinion peace for the Spanish version of The Washington Post.

The text was originally published in Spanish on The Washington Post.
It was translated to English by Kirsten McRae and posted on Make the Shift. Read the copy of it below.

© Jezael Melgoza

Mexico City. © Jazeal Melgoza

Gentrification Isn’t Behind Mexico’s Housing Crisis. Financialization Is.

By Fredrik Gertten and Leilani Farha

The housing crisis in Mexico is serious, but not unique. Whether in Mexico City, Guadalajara, Hong Kong, Lagos or London —average people are struggling to pay increasing rents, and homeownership is a fading dream. 

Despite the fact that housing is a fundamental human right that governments, including Mexico, have legally committed to, many people across the globe are living in impossible circumstances. Unaffordable housing costs, eviction, forced displacement,  sub-standard housing without basic services or upkeep, and homelessness are grim realities for 1.8 billion people across the planet. Residents are being pushed out of their cities, forced to make long commutes to work. Meanwhile, as people sleep on the streets, millions of homes sit empty. Things are only getting worse, and the outrage is growing. 

So when American Becca Sherman posted the seemingly innocuous tweet: “Do yourself a favor and remote work in Mexico City — it is truly magical,” it wasn’t surprising that it went viral. Sherman, and people like her, were decried for driving up rents and for squeezing out Mexicans, who don’t have the luxury of earning in USD. Stay home, echoed hundreds on Twitter, until she finally deleted the tweet.

The outrage is understandable —people are losing their homes and communities. Though the Becca Shermans of the world may be easy to blame, the main culprit behind the housing crisis in Mexico, and cities all around the world, is not someone on Twitter sipping a cortado in between a yoga class and the next zoom meeting. Instead, it’s an elusive-by-design global system that has turned people’s homes into abstract financial assets traded on the stock market — money-making machines for the already more-than-wealthy. Fueling this model are private equity and investment firms, and pension and hedge funds, to name a few. 

This is what the documentary film PUSH, which premiers in Mexico on March 10, is all about. The film exposes how big institutional financial actors are robbing our cities, making them unaffordable and unlivable for many, and it signals to tenants that they are not in this alone, they are part of a global struggle. 

 

Consider this: from 2017 to 2020, the global value of residential real estate assets surged by $90 trillion USD  — reaching a staggering $258.5 trillion, according to Savills Research. To put that into perspective, all the equities in the global stock markets are worth $109.2 trillion, the world’s GDP is $84.8 and all the gold ever mined is worth a mere $12.1 trillion.

Housing sits in the uncomfortable position of being at once the biggest source of wealth on earth and a human right protected by the Mexican constitution and international human rights law. Still, it is one of the most underregulated investment sectors. Because of that, extractive business models forged by investment giants like Blackstone – a global leader in real estate investing and the largest private landlord in the US – have been pushing up prices worldwide at a pace far beyond wage growth. 

Mexico has already seen what happens when unbridled capitalism mixes with corruption and poor regulation in the housing sector. In the early 2000s, Mexico embarked on one of the most ambitious campaigns to improve housing for the working class. The government offered attractive mortgages to low-income people. Through public-private partnerships, new suburban housing popped up around the country, and billionaires, like the Chicago-born Sam Zell, swept in. Zell used an investment fund to pour $32 million in a small, family-owned Mexican construction company —Homex. Soon after, Homex was hailed as the solution to Mexico’s housing woes and its valuation ballooned to $3 billion. Meanwhile, Zell, having made around $500 million for himself and his investors, was quietly pulling out of the project. 

Of course, it turned out that Homex was building substandard housing. Those who bought from the company weren’t provided with the promised necessities like local schools or functioning sewage. By 2014, Homex went bankrupt and more than a million people were stuck paying mortgages for their uninhabitable homes. 

This is an example of what happens when housing gets sucked into global capital markets —those building or providing homes don’t care about the people who live in them. They are only beholden to their bottom line and their shareholders. Independent landlords like grandparents subsidizing their pensions with rental income are almost a thing of the past. The housing market is increasingly dominated by investment funds managed by billionaires, with sophisticated and complex methods that defy comprehension let alone accountability. This is the financialization of housing. And it’s happening here in Mexico.  

Researchers have found it thriving in cities like Guadalajara, for example, where brand new apartment blocks, many of which are owned but empty, displace residents and have helped increase rents in the city from 52% of the average salary to 102% since 2010. And the pandemic has only aggravated the situation. A recent survey of residents in Mexico City found 55% of respondents had difficulties paying their rent or mortgage, and nearly one-third of respondents changed homes during the pandemic. More than 60% of those who moved said it was because they couldn’t afford rent. Meanwhile, companies like Blackstone reported record-breaking earnings in 2021. 

Our hope is that PUSH acts as an alarm bell and triggers change by unmasking the true drivers of the housing crisis and the unsustainable fall-out if left unchallenged. Victories can be achieved when tenants find a common pursuit, organize and push back. In cities like Barcelona and Berlin, grassroots movements have demanded better laws to slow down speculation and defend their right to housing. And they’ve won. This too can happen in Mexico. The financialization of housing is a global problem, but nowhere is it inevitable. 

Fredrik Gertten is a documentary filmmaker and Director of PUSH;
Leilani Farha is the Global Director of
The Shift and former UN Special Rapporteur on the right to housing. Fredrik and Leilani co-host the podcast PUSHBACK Talks.

DAUGHTERS premieres on the 28th of March at CPH:DOX

A story of three sisters growing up with grief. DAUGHTERS by Jenifer Malmqvist premieres on March 28th at CPH:DOX. Get your Tickets HERE.

We are excited to announce that our latest production DAUGHTERS, directed by Jenifer Malmqvist will premiere in Copenhagen, Denmark! The World Premiere will take place on the 28th of March at one of the biggest documentary film festivals in Europe, CPH:DOX, competing at the Nordic:Dox programme.

In her first feature-length film Daughters, director Jenifer Malmqvist explores themes of loss and grief and what it's like to grow up in the aftermath of trauma. Read more about the film here. Check out screening times below.

We hope to see you at CPH:DOX!

Screenings at CPH:DOX 2022
(Nordic:Dox Programme):

March 28, 19:00* @ Empire 3 - TICKETS

April 1, 16:30** @ Cinemateket Carl - TICKETS

April 3, 15:15 @ Empire 3 - TICKETS

*Director visit, Q&A

**Director visit, panel discussion

More about the Director:

Based in Malmö and with a Bachelors in Film Directing from the Polish National Film School in Lodz, Jenifer Malmqvist has written and directed several award winning short films, both fiction and documentaries — often exploring the surrealism of everyday life. Her films On Suffocation (2014) and Birthday (2010) both premiered at The Sundance Film Festival. Birthday (2010) went on to win a Guldbagge as well for Best Short Film.

During her time in Lodz, she met fellow student and cinematographer Ita Zbroniec-Zajt who's since then consistently been her director of photography, as is the case in Daughters. In 2009 Jenifer received the Bo Widerberg scholarship founded in memory of the famous Swedish film director.

Exclusive online screening of For Somebody Else!

On the 24th of november there will be an exclusive online screening of For Somebody Else. After the film, Kvinnolobbyn will host a talk on the subjects of the film. This will be available for streaming. You can purchase and stream the film from 11 a…

On the 24th of november there will be an exclusive online screening of For Somebody Else. After the film, Kvinnolobbyn will host a talk on the subjects of the film. This will be available for streaming.

You can purchase and stream the film from 11 am the 24/11 until 11 am the 25/11.

Link to the film: https://vimeo.com/ondemand/forsomebodyelseswesub

Fredrik Gertten: "Oatly is selling their soul"

A translation of a story from Swedish daily Sydsvenska Dagbladet.

Will Oatly really be able to turn bad money into good, and save the climate at the same time? Fredrik Gertten paints the picture of the American private equity fund Blackstone, which has invested 200 million USD in the oat milk start up Oatly, based in Malmö Sweden.

Do you want to see more poor people evicted from their homes? Then ask to have your cappuccino heart made from Oatly milk! Is that an unfair claim? I know that my friends at Oatly in Malmö think so.

Just because the American hedge fund Blackstone bought into their company does not mean that the content of the good oat product changes, right? It did not do so even when a company linked to the Chinese state became a major shareholder.

I have been proud that Oatly comes from Malmö. When our company WG Film was sued by Dole for the film Bananas!* In 2009, I was contacted by Oatly's CEO Toni Petersson. He was inspired by how we published Dole's accusations against us on our website side by side with our own arguments, a model that Oatly copied when they were sued by Swedish Milk because they called the oat drink “milk” in their marketing.

Tony's commitment to veganism and sustainability was convincing. He recruited young soulful people who were passionate about building a more sustainable world. People who truly wanted to be a part of the change. The small company from Malmö was successful. New markets were opened. Environmentally conscious hipsters in country after country wanted Oatly in their coffee.

But every time a small business grows, more money is needed. That is when the hardships begin. For every new venture capitalist, you lose some of your own influence and identity.

Learn from Hövding, the Malmö company that created the fantastic airbag bicycle helmet. When the venture capitalists became too powerful, the two female founders went out.

The arguments from Oatly (their talking points) are simple: “We get the big capital to finally invest in sustainable and socially conscious enterprises. Is that not what you want, Fredrik? Given the climate, the financial sector should be involved in breaking the structures that stand in the way of a better world ”.

This is what people at Oatly wrote to me on Twitter and Facebook, and it is not a bad argument. After all, is it possible to change the world without the help of the richest people on the planet?

Blackstone is the world's largest private equity fund. Stephen A. Schwarzman, founder and CEO, is a close friend of Donald Trump and was chairman of the president's economic council in 2017. Trump's entire term has been a grand attack on all the values ​​Oatly stands for. Schwarzman himself is worth almost $19 billion, a private fortune that has grown dramatically since the financial crisis of 2008. Then, as well as now, Blackstone was ready with financial muscles to buy up assets that had fallen in value. Suddenly, the fund became, out of nowhere, the largest landlord in the United States, Spain and Ireland - the countries where most homeowners were affected during the financial crisis. A wave of evictions was set in motion.

In the United States, 13 million people lived in homes taken back by the banks. The majority of those who ended up on the streets were African Americans and Latinos. (If you're wondering why people are so angry right now: they've lost everything.)

Nobel laureate Joseph Stiglitz, whom I interviewed for my film "Push," is critical of Blackstone and their lack of morals. "You can make a lot of money destroying the planet, but there's something wrong with that," he says in the film. A fairly simple sentence from a Nobel laureate, it could have been Greta Thunberg.

Blackstone uses its money to influence the policies of many countries. In the United States, they are funding Republican candidates who want to cut taxes for the richest and who want to remove regulations for environmental protection.

A few weeks ago, the young Democrat Alexandria Ocasio-Cortez won the House of Representatives election in her Bronx district. Schwarzman supported her opponent. AOC, as she is called, is passionate about The New Green Deal. With values closely resembling Oatly’s, I believe. Projects that Trump and Blackstone are actively working against.

Oatly's strong environmental argument is that we must eat plant-based food if we are to stop climate change. It is a pity that Blackstone are large investors in the Brazilian soy industry; they are partners in the company that is building the road to a new soy export port in the Amazon, and the port itself. That is why the forest is burning, to make room. The soy is then shipped to China where it is used to feed pigs, chickens and fish in a giant agro-industry. An industry Oatly built its brand on working against.

Oatly defines themselves as one hundred percent good. On the good side in the big battle for a more sustainable world.

The deal with Blackstone was marketed with names like Oprah Winfrey and Natalie Portman becoming co-owners. Their names strengthen Oatly's success story, much cooler than the fact that Starbucks' CEO also bought in on the deal. Still, the Oatly people were prepared to receive criticism for their choice of new co-owners.

This is what Oatly writes to me on Twitter: "By virtue of being a Blackstone investment, we push the leading player in private equity to think about the same things we do and align their goals with our own.”

It sounds like a fairytale: the underdog from Malmö turns the company that the UN believes violates human rights into something good.

Let's pretend this is true. But what if Blackstone instead uses the profits from Oatly and invests heavily in even larger meat factories?

Blackstone does not have a reputation for being a long-term investor. For a few years they were the largest private owners of Swedish suburbs. After raising the rents for the poorest in society by fifty to seventy percent, they sold the whole thing off. They had secured their profit.

On July 1, Denmark got a new law called "Lex Blackstone". The Danish parliament believed that companies like Blackstone were destroying the Danish housing market with their aggressive rent increases and their short-term plans. The law means a five-year rent freeze. All to protect Danish tenants.

Blackstone earned six billion SEK from the Swedish suburbs for five years. Where's that money now? Have they bought more soybean plantations in Brazil? They bought a bank in Holland this week. A few months ago, Blackstone purchased Australia's largest casino busines, shaken by the covid crisis. It was a deal of 500 million dollars, so more than the 200 million dollars that Oatly received.

Blackstone manages assets of around $ 600 billion, they are the world's largest private equity fund - and yet Oatly believes they can influence this giant. Is it possible to believe that Oatly's oat drink makes life better for those who have been forced to leave their homes in Blackstone's renovictions, when they renovate in a way that makes the tenant unable to afford to move back?

If Blackstone earns their money by demolishing, do you want their money to rebuild? Where do you draw the line, Oatly? When is the money too dirty?

Can you talk about a sustainable world without talking about social sustainability? Can you sell your soul and still keep it?

Oatly's CEO defends the criticized decision to raise capital from American Blackstone

Director Fredrik Gertten questions our choice to let the capital giant Blackstone enter as a minority owner in Oatly. He believes that we sold our souls to a company that through its various companies has done everything from deforestation to human rights abuses. I am convinced that Fredrik Gertten through his work wants to create change for real. Just like us. The only question is how the change will go. The starting point is that we, like most other growth companies, need money to be able to continue to grow. "For every new venture capitalist, you lose some of your own influence and your identity," writes Fredrik. Is it true? For some maybe, but not for us. I want to say that we have at least as much influence as when I joined this company eight years ago and our identity is stronger than ever. Our owners realize that the best way they can manage their investment is to let us do exactly what we already do and continue to be what we have always been. Everything else would be to throw the money into the sea, and I do not think a company like Blackstone wants that either. A little later in the article, Fredrik Gertten approaches the key question: "Is it possible to change the world without the help of the planet's richest?" As we see it: No. Not when we are trying to tackle something as big and acute as the climate crisis. How would that work? Should we get people to boycott the companies that control the world's capital flows? Difficult, if not impossible. Most people have their pensions invested in these companies' funds (consciously or unconsciously) and when it comes to the pension in particular, you often stand closest to yourself and are happy with every penny that falls into the account. Should we get states and governments to create stricter regulations? Possible, but it's way too slow. And the climate can not really wait, no matter how cliché it sounds. A third alternative is to get the fighting streams of capital invested in different companies to end up in sustainable companies. For example, by, like Oatly, choosing to receive money from a company like Blackstone in front of a company that already manages green money today. The deal we just completed means that we are moving at least a few dollars in the right direction (200 million to be exact), dollars that would otherwise have gone to something else. This is how real change is created. And this is exactly what Oatly's DNA is: To constantly question the status quo, to challenge and dare to make uncomfortable decisions to push the world in the right direction. Because this is rubbing, there is no doubt about that. Fredrik Gertten believes that it is pure poetry when we try to explain that we actually have the opportunity to influence the world's largest private equity fund. But what if, ironically, he has already done the job himself? Imagine if Fredrik Gertten, through his film "Push" (see it if you have not already done so), paved the way for this deal. That it is his documentary that made Blackstone reflect that sustainable investment may be the future, both from a humanistic and economic perspective. Yes, then we have both, in different directions, managed to create change. Albeit for one party in an unexpected (and perhaps undesirable) way. We have also started a vital debate on how we can deal with the climate crisis, where everyone must take responsibility and help - companies, governments and ourselves as individuals. Not to mention those who sit on capital. Has this been an easy decision? No, certainly not. But I am convinced that this is the right way to go. Fredrik Gertten's concluding question "Can you sell your soul and still keep it?" therefore gets the answer: Probably not. But we have not sold our soul. It is just the opposite: by making the uncomfortable decision to sell a minority stake to one of the world's largest private equity funds, we are loyal to ourselves.

Fredrik Gertten answers directly.

Why is the Amazon burning? Why are tenants all over the world being pushed out into the streets, Toni? Because of a business model that consistently puts profit before morality. There is an sometimes successful movement for ethical investments around the world. Against the arms industry, environmental degradation, oil and coal, against companies that violate human rights. Half of all money on the world's stock exchanges comes from pension funds. Can we get them to opt out of immoral actors like Blackstone so real change can be created? Oatly chooses to greenwash an actor with a well-documented history of immorality. Turns its back to a progressive movement. Is there no dirty money? Where do you draw the line? Refugee smugglers, cocaine traffickers, governments who commits genocide, companies that don’t respect human rights. I think you have to decide. You and I Toni, in all respects. I'm a little shit, own nothing. Has my movie "Push" affected Blackstone? Maybe, it has at least made them write harsh letters of complaint to TV companies in France, Germany and Sweden. Also to the Swedish Parliament and the Swedish Consulate in New York. Blackstone refused to meet UN's Leilani Farha, time after time. Dialogue is not their style. Perhaps Oatly's identity and soul were lost a long time ago. It is not radical and challenging to receive money from China or a giant private equity fund. It’s a conventional way of growing. Oatly's owners want rapid growth. Soon they can buy their first yacht. Meanwhile, the Amazon is on fire.

PS. I hereby invite you to a public conversation with Oatly and the UN's Leilani Farha. We can watch "Push" together and talk about how to change the world.  

We Are Looking For Interns!

PLEASE NOTE: Positions for 2020 have been filled. However, if you’d like to intern with us, you’re welcome to apply in the future.

Do you have an interest in documentary films? Are you looking for an internship? WG Film, one of the most successful documentary film production companies in Sweden, is looking for one or more interns to join our team this year!

Tasks

Our interns typically work with a wide variety of tasks, such as communications, social media, graphics, editing, research, website management and administrative work. We always have several projects in different stages of production, and you would get to see how documentary films are developed and released to an international audience.

Skills

We are open for candidates from a wide variety of backgrounds, but skills in any of the above are appreciated. We hope that you have an interest in social media and communications, and experience with Photoshop and/or InDesign and video editing programmes is a great plus.

Our office is part Swedish-, part English-speaking and we don’t shy away from international folks.

If we sparked your interest, send your CV and a short application to hanna@wgfilm.com. Let us know what you would be particularly interested in working with and how long you could stay with us. We are looking for interns for Autumn 2020, but if you can start earlier let us know.

 

For Somebody Else in Competition at Göteborg Film Festival!

We are thrilled to account that WG Film’s new film For Somebody Else from rising talent, Swedish filmmaker Sven Blume will have its World Premiere at Göteborg Film Festival! The film competes in the Best Nordic Documentary strand at the festivalWe are also excited to announce that the film will be distributed by Swedish distributor and Nordic event cinema and outreach house Doc Lounge.

FSE_Still_17.jpg

Surrogacy is prohibited in Sweden and many other countries, but in California the phenomenon is a growing industry. In For Somebody Else, we meet three women who for varying reasons have chosen to carry and give birth to the other people’s children. Director Sven Blume follows the everyday chaos and emotional turmoil they go through – before, during and after pregnancy – and allows them to formulate and reflect over their choices. The result is a thought-provoking, nuanced and intimate documentary.

For further information, screeners, images, interview opportunities, contact Hanna Markkanen, hanna@wgfilm.com.

For World Sales, contact info@riseandshine-berlin.de

For Swedish press enquiries and screening opportunities, contact Doc Lounge:

Maja Lindquist, distribution
maja@doclounge.se

Andrea Arvidsson, communication and partnerships
andrea@doclounge.se